Once upon a time, there were five little girls. These little girls were very different, but they still became friends. Best friends forever . . . or so they thought. One night in middle school, after a slumber party, one little girl - Alison, the most manipulative and controlling of the group - disappeared, and the four girls who were left behind - Aria, Emily, Hanna, and Spencer - became Pretty Little Liars.
By the time they reach high school, the girls are no longer close. Everyone still knows everyone else's business, of course, that's how their suburb operates, but they don't socialize. Each girl excels at something, be it art, athletics, or fashion. Each girl looks to be leading a happy, healthy life, but each girl is also hiding something from her friends and family - something she thinks no one else knows.
Then messages start appearing on cell phones or computer screens, short notes threatening to spill their precious little secrets. All of the messages are signed by "A." But who is it? Is it one of them, or is Alison back? How does whoever it is know all that's going on behind closed doors?
These books are addictive. Really addictive. Other than the first book, every book in the series has had a one-word title, but they could also be titled "I Know What You Did Last Summer, Gossip Girl." Seriously. Lying, cheating, murder, shoplifting, eating disorders, bad choices, deadly consequences - these books have it all.
Each of the girls has a distinct look and personality (and it should be noted the depictions on the covers of the books fit them perfectly) but they are not cookie-cutter rich girls. Author Sara Shepard has taken what could be yet another story about superficial girls and twisted it, making it into a dark mystery saturated with guilty pleasures that will intrigue older teens and adult readers.
The books should be read in order:
Pretty Little Liars
Flawless
Perfect
Unbelievable
Wicked
Killer
Heartless
Wanted
These books inspired the television show Pretty Little Liars on ABC Family.
Read the interview with Sara Shepard here.
(this review was originally posted at slayground.livejournal.com)
In real life, Little Willow is an actress, singer, dancer, and writer, but online, she is known primarily as a freelance journalist and webdesigner. For book reviews, booklists, author interviews, and more, please visit her book blog, Bildungsroman: http://slayground.livejournal.com
If you are interested in hiring her to design your website, please email littlewillow(at)slayground.net
Showing posts with label young adult books. Show all posts
Showing posts with label young adult books. Show all posts
Thursday, July 15, 2010
Friday, July 9, 2010
Friday Favorites: Pam Conrad's Taking The Ferry Home - by Louise Tripp
Each summer, from the time I was 13 until into my twenties, I found myself on an island. Dune Island, populated by the kind of people who own summer homes and the kind of people who worked for summer homeowners. The setting of Taking The Ferry Home by Pam Conrad, a New York-born writer. I stumbled upon the book on one of my regular trips to the library in the next town over, drawn in by its almost mysterious cover: one girl with a faraway look sits on the grass in the foreground. Another stands at a distance in the background with the skirt of her dress blowing in the wind, a pristine Cape Cod-style house and shadowy trees behind her. To my thirteen year old self, the cover echoed with loneliness. It was electric with sorrow – I could just feel it – and it struck a chord with me, I had to read it.
It begins with a girl named Alison who has elected to join her father at a cottage he's rented as a writer's getaway – he's a novelist – and on her first night, she sneaks into the neighbors' pool. It's their summer home and Alison assumes they won't be arriving until later, so she can take one quick dip. There she meets Simone, their daughter, who is “beautiful, completely beautiful, and she wasn't even nice.” Their encounter leaves Alison “choked with jealousy,” but as the story goes, the rich girl gets what she wants and what Simone wants is for she and Alison to be friends. So begins the tale of a very “fragile friendship,” as the book's bright green back-cover declares.
Simone Silver is not a one-dimensional character, though – not in the least. In fact, when I look back at all the times I've read Taking The Ferry Home, I am struck by Simone as the character whom I feel the most compassion for and kinship with. She's many-faceted: ravishing, privileged and yet, haunted by a traumatic event from her childhood. She reads Tarot cards and makes bracelets of shells, listens to Springsteen (even now, when I hear “Dancing In The Dark,” I think of it as her song). Darkly, quietly troubled characters have often bewitched me in a way that your run-of-the-mill dysfunctional protagonist could not quite pull off. Conrad manages to create a rich, engrossing character who mostly lives in her own head (something I've been trying to manage for close to a decade to little avail). I wanted to know Simone, let her read my fortune and string up shells for me.
The water was a character all its own. It churns, black and murky, beneath the ferry that takes Ali and Simone around Dune Island. The first summer I read it, I dreamed of being on that island – that island, with all its secrets and sadness. I dreamed of water and even had a bookmark with a picture of foamy waves lapping at the sand.
For me, my real passion for books – the kind of books I read now, anyway – begins with Taking The Ferry Home. Pam Conrad died of breast cancer in 1996, at the age of 48, but this one of her many books for children and young adults transformed my life. It will always remain in my list of favorites because it's one of those that formed who I am and how I want to write. Perhaps another re-reading is long overdue.
Louise Tripp grew up in North Carolina. She currently lives in Chicago, where she is revising her first YA novel and working in a public library.
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